Sting Gruppe Biographie zu Sting
Sting, Bühnenname von Gordon Matthew Thomas Sumner CBE ist ein britischer Musiker, Komponist und Schauspieler. In seiner Freizeit spielte er in örtlichen Jazz-Gruppen wie den „Phoenix Jazzmen“, der „Newcastle Big Band“ und „Last Exit“. Seinen Spitznamen „Sting“ erhielt. Als Hauptsongwriter der Band blieb Sting für sämtliche Hits der Gruppe verantwortlich. trat The Police – mit XTC, UB40, Wall of Voodoo, The Go-Go's, The. Sting hat als Musiker wohl alles erreicht, was möglich ist: Nach der Auflösung seiner super erfolgreichen Band "The Police" startet der Sänger erst richtig durch. Abends spielte er in lokalen Jazzgruppen. Den Spitznamen “Sting” bekam er von einem Bandleader, weil er immer in schwarz-gelb gestreiften Rugbyhemden.
Sting hat als Musiker wohl alles erreicht, was möglich ist: Nach der Auflösung seiner super erfolgreichen Band "The Police" startet der Sänger erst richtig durch. Als Hauptsongwriter der Band blieb Sting für sämtliche Hits der Gruppe verantwortlich. trat The Police – mit XTC, UB40, Wall of Voodoo, The Go-Go's, The. Sting ist als Frontman von The Police & Solo-Künstler in die Rockgeschichte eingegangen. Erfahre mehr über sein Bass-Spiel & seine Songs!
Sting Gruppe VideoBee Gees - Stayin' Alive (Official Music Video) Amy Macdonald. Wenn man den Tod akzeptiert hat man mehr Interesse am Leben, am Wiesbaden.De Weihnachten Leben, wie es gelebt werden sollte. Pietro Lombardi Vermögen. Kann sein, Bwin Casino Tipps ich es tatsächlich mache. Zunehmende Spannungen, der Erfolgsdruck und die permanente Abwesenheit von ihren Familien machten daraus aber ein vorläufiges Firefox öffnet Sich Nicht. Henry Padovani bis August
Further hit singles in the shape of 'Wrapped Around Your Finger', 'King of Pain' and 'Synchronicity II' helped maintain the album's success, but despite the album collecting three Grammies awards, the writing was on the wall for The Police.
The band's tense relationship was slowly breaking down and after the Shea Stadium show Sting told the others that it was time to take a break.
The 'Synchronicity' tour finished in March and the three went their separate ways. Copeland to movie scoring, Summers to guitar duets and jazz, and Sting initially to acting.
A lead role in "The Bride" and supporting parts in "Plenty" and "Julia and Julia" followed before Sting picked up a guitar again. And when he did, it was not a bass.
Featuring the cream of America's young, black jazz musicians - Branford Marsalis, Kenny Kirkland, Omar Hakim and Darryl Jones - the album showed that Sting had lost none of his songwriting ability by being outside of the Police camp.
The new material had a more political stance - 'We Work The Black Seam' dealt with the miner's strike, 'Children's Crusade' with drugs, and 'Russians' with the West's demonisation of communism.
The album was premiered in a series of shows at Paris's Mogador Theatre - a period captured in Michael Apted's rockumentary "Bring On The Night" - and the band were magnificent.
The success of the album, a solo appearance at Live Aid, and a well received world tour were proof that Sting had no need for the safety net of The Police - he had not only a retained a fan base he had started to build another one.
Sting even got himself banned from Chilean radio thanks to 'They Dance Alone', a haunting song that resulted from his meeting with some of South America's "Mothers of the Disappeared".
Released shortly afterwards was a mini-album 'Nada Como El Sol' which featured several of the album's songs in Spanish and Portuguese, and which strengthened his popularity further in Latin America.
Depending on your point of view it was either impenetrably dense or his strongest work - only the listener can decide. The album still sold well, the title track collected a Grammy, and the live shows saw a stripped down rock band of Dominic Miller guitar , Vinnie Colaiuta drums and David Sancious keyboards with Sting returning to the bass.
As upbeat as 'The Soul Cages' was downbeat, it was a remarkable album, and won universal praise from the critics. It also hinted at what was to come on later albums with its mix of musical genres and styles.
During the inevitable world tour he found time to record a Stateside number one by performing with Bryan Adams and Rod Stewart on 'All For Love' from the "The Three Musketeers" soundtrack and to add another three Grammies to his awards collection.
During Sting was writing and recording songs for a new album, 'Mercury Falling' Mar a release which showed an increasing tendency for him to risk commercial success by writing primarily to please himself and his band.
He was also becoming more involved in contributing songs to movie soundtracks - there had always been a demand for Police songs, but in he had been approached to write the theme song for "Lethal Weapon 3", and together with Eric Clapton and Michael Kamen he duly complied with 'It's Probably Me'.
A reworking of The Police's 'Demolition Man' followed for the film of the same name, as did the recording of several jazz standards for the "Leaving Las Vegas" and "Sabrina" soundtracks.
During this time he was also writing songs for Disney for the soundtrack to the 'The Emperor's New Groove' movie which was released in The highly anticipated 'Brand New Day' album Sep proved to be Sting's most popular album in terms of sales - in excess of eight million copies world-wide.
If 'Mercury Falling' mixed genres, 'Brand New Day' took it a step further - the title track was full of optimism and renewal, a true millennium message.
The remarkable, arabesque 'Desert Rose' featured the prince of rai music, Cheb Mami, and brought arabic flavoured music to traditionally conservative US radio.
This was undoubtedly one of Sting's finest albums. The subsequent tour was a staggering success with Sting playing his longest ever tour - close to shows in 45 countries to just under 3 million people.
As the tour finished in July with two celebratory show at London's Hyde Park, Sting was already planning his next project.
He would take the 'Brand New Day' songs back to their birthplace - Italy - where he would record a live album in front of an audience of fan club members and friends that would see the material reworked and remodelled.
The powerful emotions of that evening can be heard throughout the performance from band and audience alike. Sting not only kept his promise to rework the songs from the 'Brand New Day' album but he also delved deep into his back catalogue producing magical versions of solo favourites like 'All This Time' and 'When We Dance', as well as reworkings of Police classics like 'Roxanne' and 'Don't Stand So Close To Me'.
After the end of the mammoth 'Brand New Day' world tour Sting contributed further songs to a number of movie soundtracks including 'Until He also took time out to write a critically acclaimed memoir entitled "Broken Music", which was a fascinating and revealing account of his life from childhood to the first flushes of fame with The Police.
The subsequent tour which started in January was a lavish production with backscreens and video incorporated into the show. A tour of small theatres in the USA was followed by a visit to Europe before a return to the US for a summer amphitheatre tour headlining with Annie Lennox.
He and Mary J. With only a matter of weeks passing since the finish of the 'Sacred Love' tour, Sting was ready for a change.
With a new stripped down, rockier sounding four piece band comprising bass, two guitars Dominic Miller and Shane Fontayne and drums Josh Freese he undertook a six week tour billed as 'Broken Music' playing a career spanning mix of tunes across the US in mainly college venues and cities he has not previously played.
Sting also took the opportunity on this tour to visit many colleges as a guest lecturer where he spoke to English classes about the process of writing his memoir and to music classes about songwriting and the music business.
Spring saw Sting return to his home town where he was awarded an Honorary Doctorate in Music by Newcastle University, and the summer months saw him take the 'Broken Music' tour to Europe where he played in 27 countries in two months with a slightly revised line up of Dominic Miller and Lyle Workman on guitars and Abe Laboriel Jr.
These shows proved as successful with fans and critics alike as the previous Spring's jaunt around the States had done. As unpredictable as ever, October saw Sting turn his attentions to a long-standing interest in the work of acclaimed Elizabethan songwriter John Dowland, with the release of 'Songs From The Labyrinth', an album featuring the talents of virtuoso Bosnian lutenist Edin Karamazov.
Sting explained, "I'm not a trained singer for this repertoire, but I'm hoping that I can bring some freshness to these songs that perhaps a more experienced singer wouldn't give.
For me they are pop songs written around and I relate to them in that way; beautiful melodies, fantastic lyrics, and great accompaniments.
Indeed, despite its release late in the year, the album was the best selling classical album of both and on the Billboard end of year chart.
After rehearsals in Italy and Canada the band opened their tour with a final rehearsal performance for fan club members and two further shows at Vancouver's GM Place in May A heady combination of nostalgia from older fans who saw the band first time round and intrigue from younger ones who only knew the band from their recordings was supported by ecstatic press reviews and shows sold out around the world in record time as more than 2.
The Dublin show alone saw the band play to more than 81, fans - their largest ever audience. In February the band announced a third tour swing through North America supported by Elvis Costello and the Imposters, which in addition to their summer tour of festivals and stadiums in Europe would see the band on the road until August A handful of concert appearances in mid disguised the fact that Sting was also recording a new solo album, and naturally, it was not what was expected.
Taking the winter as it's over-arching theme, Sting instead recorded a selection of ancient hymns, carols, folk songs and re-recorded a small selection of his own songs with a hugely talented group of musicians including Dominic Miller and Kathryn Tickell.
Although all efforts were made to reschedule these shows to next year, unfortunately we are unable to do so at this time. The cancellations affect the shows that were to take place in Ekaterinburg, Kazan, Moscow, St.
Sting sincerely regrets disappointing the fans and is looking forward to returning to Eastern Europe to perform again soon. If I had to lie to be successful, or had to pretend an interest in a subject or style of music that really didn't interest me, but my management or a market researcher had told me that would give me a lot of hit records, I'd fall flat on my face.
It would terrify me. Tweets by OfficialSting. All News. Sting to join narrative4 on 2 September Read more. See More Stories. On Twitter Tweets by OfficialSting.
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Innerhalb eines Jahres erreichte das Album durch seine Verkaufszahlen dreifach Platin. Die meisten Lieder dieses Albums wurden im Dezember aufgenommen.
In den späten er Jahren widmete sich Sting intensiv der Unterstützung von Umweltschutzprojekten und den Menschenrechten , darunter der Gruppe Amnesty International.
April Das Album erhielt Platinstatus. Einen Gipfel erreichte Stings Erfolg im Frühjahr Bereits im Februar gewann Sting zwei weitere Grammys und wurde für drei weitere nominiert.
Stings Album Mercury Falling von wurde von der Kritik positiv aufgenommen, hielt sich aber nur kurz in den Hitparaden.
Sting erhielt bis Januar dreimal Platin dafür. Am Abend des September war eigentlich ein kleiner Auftritt in Italien geplant.
Am Ohne Keyboard und zusätzliche Soundeffekte, dafür aber mit zwei Gitarren probte Sting einen Monat vorher ungewöhnlich viele Lieder von The Police , aber auch lange nicht gehörte Nummern aus seiner Solo-Karriere.
Das Konzept dieser Konzerttournee ging auf seine veröffentlichte Autobiografie Broken Music zurück. Ein Vortrag wurde von mtvU.
Laut dem Branchenblatt billboard. Dollar um. Etwa zwei Millionen Menschen besuchten die Konzerte. Davon abgesehen spielte er dieselben Lieder wie beim Live-Aid-Konzert.
Nach dem Konzert gingen Sting, Summers und Copeland als The Police nochmals gemeinsam auf Welttournee, wie sie es bereits im Februar angekündigt hatten.
In dieser Zeit beschäftigte er sich auch intensiv mit der Musik von Kurt Weill. Für das mit einem Grammy ausgezeichneten Duett mit Mary J. Das Londoner Konzert in der Kirche St.
Oktober gab es auch in Berlin ein Konzert mit diesem Programm. Zudem bedroht es die Existenzgrundlagen der dortigen Indianer, bei denen es sich allein um 24 ethnische Gruppen handelt.
Vom 2. Juni bis zum Juli das Studio-Album Symphonicities. Anlässlich seiner jährigen Solo-Karriere startete Sting am Die Songs zu diesem Album entstanden während der dreijährigen Arbeit an dem gleichnamigen Broadway-Musical, das Premiere feiert.
Dieses Album ist offiziell das erste seit Sacred Love , auf dem Sting wieder neue Songs veröffentlicht. See More First Known Use of sting Verb before the 12th century, in the meaning defined at transitive sense 1 Noun before the 12th century, in the meaning defined at sense 1a History and Etymology for sting Verb Middle English, from Old English stingan ; akin to Old Norse stinga to sting and probably to Greek stachys spike of grain, stochos target, aim Keep scrolling for more Learn More about sting Share sting Post the Definition of sting to Facebook Share the Definition of sting on Twitter Time Traveler for sting.
See more words from the same century Dictionary Entries near sting stimulus error stimulus threshold stimulus word sting sting and ling stingaree sting bladder.
Accessed 2 Sep. Keep scrolling for more More Definitions for sting sting. Entry 1 of 2 of an insect, plant, or animal : to hurt someone by piercing the skin with a sharp, pointed part that usually contains poison : to cause a quick, sharp pain : to feel a quick sharp pain sting.
Entry 1 of 2 1 : to prick painfully usually with a sharp or poisonous stinger A bee stung my hand. Entry 1 of 2 transitive verb : to prick painfully: as a : to pierce or wound with a poisonous or irritating process b : to affect with sharp quick pain intransitive verb : to feel or cause a keen burning pain or smart the injection stung sting.
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Listen to the words and spell through all three levels. Login or Register. Save Word. Log In. Keep scrolling for more. Examples of sting in a Sentence Verb I got stung by a bee.
First Known Use of sting Verb before the 12th century, in the meaning defined at transitive sense 1 Noun before the 12th century, in the meaning defined at sense 1a.
History and Etymology for sting Verb Middle English, from Old English stingan ; akin to Old Norse stinga to sting and probably to Greek stachys spike of grain, stochos target, aim.
Learn More about sting. Time Traveler for sting The first known use of sting was before the 12th century See more words from the same century.
Dictionary Entries near sting stimulus error stimulus threshold stimulus word sting sting and ling stingaree sting bladder See More Nearby Entries.